The Shawshank Redemption

4.9 out of 5 stars - 934 votes

Two imprisoned men bond over a number of years, finding solace and eventual redemption through acts of common decency. . liked it=2230243 Vote. 9,3 / 10. cast=Tim Robbins. creator=Frank Darabont

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It is a strange comment to make about a film set inside a prison, but "The Shawshank Redemption" creates a warm hold on our feelings because it makes us a member of a family. Many movies offer us vicarious experiences and quick, superficial emotions. "Shawshank" slows down and looks. It uses the narrator's calm, observant voice to include us in the story of men who have formed a community behind bars. It is deeper than most films; about continuity in a lifetime, based on friendship and hope. Interesting that although the hero of the film is the convicted former banker Andy Dufresne ( Tim Robbins), the action is never seen from his point of view. The film's opening scene shows him being given two life sentences for the murder of his wife and her lover, and then we move, permanently, to a point of view representing the prison population and particularly the lifer Ellis 'Red' Redding ( Morgan Freeman). It is his voice remembering the first time he saw Andy ("looked like a stiff breeze would blow him over"), and predicting, wrongly, that he wouldn't make it in prison. From Andy's arrival on the prison bus to the film's end, we see only how others see him - Red, who becomes his best friend, Brooks the old librarian, the corrupt Warden Norton, guards and prisoners. Red is our surrogate. He's the one we identify with, and the redemption, when it comes, is Red's. We've been shown by Andy's example that you have to keep true to yourself, not lose hope, bide your time, set a quiet example and look for your chance. "I guess it comes down to a simple choice, really, " he tells Red. "Get busy livin' or get busy dyin'. " The key to the film's structure, I think, is that it's not about its hero, but about our relationship with him - our curiosity, our pity, our admiration. If Andy had been the heroic center, bravely enduring, the film would have been conventional, and less mysterious. But we wonder about this guy. Did he really kill those two people? Why does he keep so much to himself? Why can he amble through the prison yard like a free man on a stroll, when everyone else plods or sidles? People like excitement at the movies, and titles that provide it do well. Films about "redemption" are approached with great wariness; a lot of people are not thrilled by the prospect of a great film - it sounds like work. But there's a hunger for messages of hope, and when a film offers one, it's likely to have staying power even if it doesn't grab an immediate audience. "The Shawshank Redemption" premiered at the Toronto Film Festival in September 1994, and opened a few weeks later. It got good reviews but did poor business (its $18 million original gross didn't cover costs; it took in only another $10 million after winning seven Oscar nominations, including best picture). There wasn't much going for it: It had a terrible title, it was a "prison drama" and women don't like those, it contained almost no action, it starred actors who were respected but not big stars, and it was long at 142 minutes. Clearly this was a movie that needed word-of-mouth to find an audience, and indeed business was slowly but steadily growing when it was yanked from theaters. If it had been left to find its way, it might have continued to build and run for months, but that's not what happened. Instead, in one of the most remarkable stories in home video history, it found its real mass audience on tapes and discs, and through TV screenings. Within five years, "Shawshank" was a phenomenon, a video best seller and renter that its admirers feel they've discovered for themselves. When the Wall Street Journal ran an article about the "Shawshank" groundswell in April 1999, it was occupying first place in the Internet Movie Database worldwide vote of the 250 best films; it's usually in the top five. Polls and rentals reflect popularity but don't explain why people value "Shawshank" so fervently. Maybe it plays more like a spiritual experience than a movie. It does have entertaining payoff moments (as when the guards from another prison, wearing their baseball uniforms, line up to have Andy do their taxes). But much of the movie involves quiet, solitude, and philosophical discussions about life. The moments of violence (as when Andy is sexually assaulted) are seen objectively, not exploited. The movie avoids lingering on Andy's suffering; after beatings, he's seen in medium and long shot, tactfully. The camera doesn't focus on Andy's wounds or bruises, but, like his fellow prisoners, gives him his space. The Morgan Freeman character is carrier of the film's spiritual arc. We see him at three parole hearings, after 20, 30 and 40 years. The first hearing involves storytelling trickery; the film has opened with Andy's sentencing, and then we see a parole board, and expect it's about to listen to Andy's appeal. But, no, that's when we first see Red. In his first appeal he tries to convince the board he's been rehabilitated. In the second, he just goes through the motions. In the third, he rejects the whole notion of rehabilitation, and somehow in doing so he sets his spirit free, and the board releases him. There's an underlying problem. Behind bars, Red is king. He's the prison fixer, able to get you a pack of cigarettes, a little rock pick or a Rita Hayworth poster. On the outside, he has no status or identity. We've already seen what happened to the old librarian ( James Whitmore), lonely and adrift in freedom. The last act, in which Andy helps Red accept his freedom, is deeply moving - all the more so because Andy again operates at a distance, with letters and postcards, and is seen through Red's mind. Frank Darabont wrote and directed the film, basing it on a story by Stephen King. His film grants itself a leisure that most films are afraid to risk. The movie is as deliberate, considered and thoughtful as Freeman's narration. There's a feeling in Hollywood that audiences have short attention spans and must be assaulted with fresh novelties. I think such movies are slower to sit through than a film like "Shawshank, " which absorbs us and takes away the awareness that we are watching a film. Deliberate, too, is the dialogue. Tim Robbins makes Andy a man of few words, quietly spoken. He doesn't get real worked up. He is his own man, capable of keeping his head down for years and then indulging in a grand gesture, as when he plays an aria from Mozart's "The Marriage of Figaro. " (The overhead shot of the prisoners in the yard, spellbound by the music, is one of the film's epiphanies. ) Because he does not volunteer himself, reach out to us or overplay his feelings, he becomes more fascinating: It is often better to wonder what a character is thinking than to know. Roger Deakins' cinematography is tactful, not showy. Two opening shots, one from a helicopter, one of prison walls looming overhead, establish the prison. Shots follow the dialogue instead of anticipating it. Thomas Newman's music enhances rather than informs, and there is a subtle touch in the way deep bass rumblings during the early murder are reprised when a young prisoner recalls another man's description of the crime. Darabont constructs the film to observe the story, not to punch it up or upstage it. Upstaging, in fact, is unknown in this film; the actors are content to stay within their roles, the story moves in an orderly way, and the film itself reflects the slow passage of the decades. "When they put you in that cell, " Red says, "when those bars slam home, that's when you know it's for real. Old life blown away in the blink of an eye. Nothing left but all the time in the world to think about it. " Watching the film again, I admired it even more than the first time I saw it. Affection for good films often grows with familiarity, as it does with music. Some have said life is a prison, we are Red, Andy is our redeemer. All good art is about something deeper than it admits. Roger Ebert Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. In 1975, he won the Pulitzer Prize for distinguished criticism. The Shawshank Redemption (1994) Rated R 142 minutes about 1 hour ago 1 day ago.

The shawshank redemption imdb. The Hobbit and The Lord of the Rings trilogy is the best films ever made nuff said.

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The shawshank redemption full movie. The shawshank redemption pdf. I like. the friends theme bit. Quote the shawshank redemption top ten. The shawshank redemption bangla review. The Shawshank Redemption The Shawshank Redemption is directed by Frank Darabont, and is starred by Tim Robbins and Morgan Freeman. Among IMDB, more than 1 million 600 thousand of the members were selected as the first in 250 films. And was selected for the twentieth Century film list of the American film society. 图片发自简书App Redemption is shown in three, Andy's Redemption: from the beginning he did not let himself fall into prison life (as compared to the first night he was in prison at the same time), to the unremitting struggle of the "sister flower", to writing and digging for his faith, and at the end of the tunnel, it was not in a hurry to escape, because it was not in a hurry to escape. His redemption is not a "prison break" but an insistence on his belief and his innocence - "the prison break represents one of the sins, and no one believes his own innocence", so the final decision to escape is the ultimate redemption of his own - "I am not guilty, I need freedom". Second, Andy's redemption for the inmates: giving the inmates an unprecedented beer, music, and comfortable library; giving a young friend Tommy Williams education; giving his good friend Reed's consolation harmonica, deep thinking about life - "get busy living or get busy dying. "(the movie specifically compares Reed's change in release approval). Such giving is actually a spiritual redemption for them, and igniting a person's hope for life is no doubt a redemption for him. Besides, Andy's redemption to Shawshank prison: because of Andy, the "Sister Flowers" were wicked; there were music, a comfortable Library in the prison; the warden and others had uncovered the ugly face, and the prison became clean. When Andy has the opportunity to develop his skills and develop better, whether he gets 3 bottles of beer per person for his friends, let the music sound through the whole prison, spend six years sending a letter to prison for $200 for the prison, or the best prison library that is financed by the two messenger of the government every week to help the prison. High school diplomas are taken by people with lofty ideals. He not only makes himself more valuable, but also keeps people in prison constantly discovering and creating their own value. Brooks, who had been in prison for 50 years, was a man of status, an educated man, and outside, he was nothing, only a parole who had arthritis in his hands, maybe even a library card could not be applied for, because he chose to commit suicide because he was not accustomed to living outside. Reed, Andy's best friend, had planned to spend his whole life in prison, but under the influence of Andy, he ran to a more suitable world. In summary, Salvation is love and hope for life, respect and reverence for life. The walls of the prison will hate you from the very beginning; you will get used to it slowly; you will find yourself unable to get away from it for a long time. Many people have been institutionalized in prison. Andy, who has been imprisoned for 19 years in prison, seems to have an invisible coat that separates him from the world - he always loves life and is hopeful. There is something in everyone's heart that they can't take away. They can't be touched. They belong to you alone. That's hope. We should always have hope in life and bring hope to ourselves and others, and the world will be different from us. 推荐阅读更多精彩内容 rljs by sennchi Timeline of History Part One The Cognitiv... sennchi 阅读 4, 668 评论 0 赞 7 Sola Scriptura and the Regulative Principle of Worship Br... DanielHe 阅读 4, 489 评论 1 赞 8 The Regulative Principle of Worship and Christmas Brian S... DanielHe 阅读 1, 640 评论 1 赞 2 **2014真题Directions:Read the following text. Choose the be... 文/流纹千枚有时，我感觉你的心是一片大海我是一艘小船随时会有覆灭的危险有时，我感觉你的心是一块草地我是一只羔羊无...

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The shawshank redemption netflix. One of Tim's best performances. He deserved all awards & nominations for this film. Definitely one of the best films I've ever seen. The best part of the movie is the whole thing. Although some parts of the movie were a bit violent, it was done with taste and I felt it was important to the story as a whole. Although the film was rather long, it still was able to hold my attention. I was never in a state of mind where I was wondering "When is this movie going to end" and that is very rare with me. I cannot believe I went so many years without seeing this film. It is very much a must-see film. It is great to view for ages 12 and up. This movie has such great story-telling, and uses great dialog, unlike anything you'll ever see in other films. Very well-done to the directors, crew, and especially the cast members. Outstanding.

The subtitles on this are hilarious and ridiculous in equal measure. The shawshank redemption subtitles. This movie is brilliant, a completely genius of cinematographic art. The full details of how he can make is run away from the jail is incredible, a major lesson of art are displaced on this movie.
When you start watching this movie, you don't's have any idea of what it's going on, and that's awesome, because in the end, you still don't know how it will be, so it creates a spectacular idea of you having no idea of what it is going on. br> The way that the main character creates to get out of the prison and to ruin the life of it's owner it's just wonderful and leaves the spectator wondering how an only person can do that.

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